I am a Film-Maker and Shark enthusiast who spends a lot of time talking about Shark Attacks, Shark Behaviour and Shark Feeding. I am responsible for the films Of Shark and Man, A Ray of Light and A Ray of Light II. I don't believe in appealing to the lowest common denominator. www.ofsharkandman.com
Showing posts with label David Diley. Show all posts
Showing posts with label David Diley. Show all posts
Monday, 8 December 2014
A Ray of Light II - Online And Available Now!
The wait is finally over!
You can now watch A Ray of Light II in its entirety, free of charge, HERE (Click this link)
If you have any feedback, comments or anything at all, please leave a comment in the comments section of this blog or if you're registered on Vimeo, in the comments section of the film itself.
If you want to help us continue to make these films, the Tip Jar feature is enabled on the Vimeo page, it's non-obligatory of course but any donations, big or small, really do help and they are hugely appreciated!
If you want to embed the film on your websites or blogs, please feel free to do so and if possible, let me know so I can point people towards your site!
So, what are you waiting for!? Watch it and if you like it, please share with friends on Social Media!
Please support Asociacion Ondine as well because without funding, they cannot continue the vital work they are doing! Link here - http://www.gofundme.com/asociacionondine
Edit: - Thank you Mike!
Thursday, 21 August 2014
A Vision Realised - How "Of Shark and Man" is finally becoming what it was always meant to be!
Our second day in Fiji, visiting Galoa
It seems about a squillion years ago now that I decided I was sick and tired of doing what everyone else expected of me and not fulfilling my dreams, ambitions and potential and decided to just jack it all in on the back of an absurd notion that I could just swan off to Fiji and make a feature length film that would get on TV, okay, maybe not a squillion but it's been four years and that's a long time to go through the trials and tribulations I've faced.
The constant threat of always being on the verge of going broke, giving up my home, constant (and I mean constant) rejection, self doubt, crises of confidence which literally left me a complete wreck, unable to create anything for weeks, ridicule and criticism, you name it, I've had it thrown at me over the last four years but in amongst the hard times there have also been some glorious highs.
Despite practically everyone telling me to stop being so stupid and just give up, I made it out to Fiji and it only took me nine months and twenty seven days to achieve everything I needed to to do that, a first time film-maker with no pedigree, gaining the funding to shoot a film in which he has complete creative control and 100% ownership of a film with no debt is almost unheard of and for that I have to thank the wonderful, innovative and forward thinking Jane West and Martin Harlow at Tourism Fiji for taking a huge gamble on me and who have offered nothing but support, encouragement and enthusiasm. Anything I achieve in my career will always owe a huge debt of gratitude to them.
I went from not even owning a camera and having never even attempted to make a short film, with zero experience, credibility, contacts, support or money, straight into making my own feature film, for which I would be 90% responsible for all the work, fulfilling every role imaginable along the way. Now, here I am in 2014, a professional full-time film-maker with, I'd like to think, a good reputation around the world, working in film, TV and commercial promo work, I'm a dad to an awesome little boy, I'm involved with some incredible conservation projects around the world and am finally getting a growing platform upon which I can help spread positive messages about sharks and also inform the public about important issues, being regularly approached to discuss in particular, shark feeding and shark attack.
This isn't a "hey look how great I am" post, I hate all that bullshit, anyone who feels compelled to constantly convince people of their talent, knowledge or credibility has nowhere near as much of any of those as they think, in my opinion, (I prefer to let my work and work ethic do the talking), no, instead this is hopefully encouragement for anyone else out there on the verge of taking the leap of faith I did. If you believe in yourself absolutely, you have thick skin, you can take rejection and you are willing to sacrifice and risk everything, go for it. It's a hell of a ride with more downs that ups but the ups will define why you did this in the first place and the downs will only confirm and define your character. If you give up easily or you have serious doubts, stay where you are, choose safety, this isn't for you...
So why all the above?
The last two months has seen massive progress on the film, in fact, it's really not far at all away from a completed first cut and my life has been consumed with Grading the film and overseeing the Sound Design, both of which have made everything explode into life and jump out of the screen at you. The addition of great sound and a great aesthetic has been the realisation that I may be sitting on something pretty amazing here...
Given the above retrospective look at how far this has all come, I figured I'd touch base on a few technical factors and also look back at the progression of the film and myself as a Film-Maker, from a naieve amateur who didn't know what "aperture" or "shutter speed" meant, to someone who people actually pay money to make films, and good ones at that too! :)
First up a few technicals...
The constant threat of always being on the verge of going broke, giving up my home, constant (and I mean constant) rejection, self doubt, crises of confidence which literally left me a complete wreck, unable to create anything for weeks, ridicule and criticism, you name it, I've had it thrown at me over the last four years but in amongst the hard times there have also been some glorious highs.
Despite practically everyone telling me to stop being so stupid and just give up, I made it out to Fiji and it only took me nine months and twenty seven days to achieve everything I needed to to do that, a first time film-maker with no pedigree, gaining the funding to shoot a film in which he has complete creative control and 100% ownership of a film with no debt is almost unheard of and for that I have to thank the wonderful, innovative and forward thinking Jane West and Martin Harlow at Tourism Fiji for taking a huge gamble on me and who have offered nothing but support, encouragement and enthusiasm. Anything I achieve in my career will always owe a huge debt of gratitude to them.
I went from not even owning a camera and having never even attempted to make a short film, with zero experience, credibility, contacts, support or money, straight into making my own feature film, for which I would be 90% responsible for all the work, fulfilling every role imaginable along the way. Now, here I am in 2014, a professional full-time film-maker with, I'd like to think, a good reputation around the world, working in film, TV and commercial promo work, I'm a dad to an awesome little boy, I'm involved with some incredible conservation projects around the world and am finally getting a growing platform upon which I can help spread positive messages about sharks and also inform the public about important issues, being regularly approached to discuss in particular, shark feeding and shark attack.
This isn't a "hey look how great I am" post, I hate all that bullshit, anyone who feels compelled to constantly convince people of their talent, knowledge or credibility has nowhere near as much of any of those as they think, in my opinion, (I prefer to let my work and work ethic do the talking), no, instead this is hopefully encouragement for anyone else out there on the verge of taking the leap of faith I did. If you believe in yourself absolutely, you have thick skin, you can take rejection and you are willing to sacrifice and risk everything, go for it. It's a hell of a ride with more downs that ups but the ups will define why you did this in the first place and the downs will only confirm and define your character. If you give up easily or you have serious doubts, stay where you are, choose safety, this isn't for you...
So why all the above?
The last two months has seen massive progress on the film, in fact, it's really not far at all away from a completed first cut and my life has been consumed with Grading the film and overseeing the Sound Design, both of which have made everything explode into life and jump out of the screen at you. The addition of great sound and a great aesthetic has been the realisation that I may be sitting on something pretty amazing here...
Given the above retrospective look at how far this has all come, I figured I'd touch base on a few technical factors and also look back at the progression of the film and myself as a Film-Maker, from a naieve amateur who didn't know what "aperture" or "shutter speed" meant, to someone who people actually pay money to make films, and good ones at that too! :)
First up a few technicals...
A major aspect of this film was that I wanted to shoot it on pro-sumer equipment, that is, gear which is high quality but affordable and available to the man on the street so not the Reds and Arri's of the world but cameras and production equipment most people can realistically afford to buy themselves.
So, a list of the main production equipment:
Cameras:
2x Canon 7D (with 2x Nauticam NA-7D Housings)
1x Sony XD Cam
1x GoPro 2
1x Phantom Flex (Absolutely not affordable! For the "dream sequence" pool shots)
1x Canon Ixus 100 (seriously!)
1x Nokia N8 Mobile Phone (honestly, I'm being serious...)
Lenses:
Canon 15-85mm EF-S
Canon 10-22mm EF
Canon 50mm f1.8 (£60 in Incheon Airport!)
Canon 70-300mm
Canon 18-55mm EF-S
Zeiss 50mm f1.4
Sigma 70-300mm
Audio:
2x Rode Video Mic
Post Production:
1x Custom Built Novatech 32GB RAM Desktop Edit Suite
1x Custom Built Novatech 16GB Laptop
Adobe Production Premium Suite CS6 (disk version)
Logic Pro
So that gives you an idea on the budgets I was working on, thankfully and for which I am eternally grateful, Novatech build me my computers for free as a brand ambassador (and they are awesome!) and Canon gave me my camera. The Phantom we got to use for free as part of a test for a TV documentary and the XDCam belongs to Mike who became a member of the underwater cinematography team for a month! I won't say what our budget was but in Film-Making parlance it would be classed as "Micro Budget."
To give you a comparison, the average Shark Week production has a budget of around $200-300K and according to the production release from the company, for the recent "Shark Girl" show they needed to raise between AUS$850,000 - $1,000,000 to get it made.
Needless to say, my budget was a grain of sand on their mile long budgetary beach, but from the outset I set my "competition" not as the amateur "passion pieces" that are becoming more widespread, but films with budgets of £1,000,000+. I'm a one man band doing ninety percent of what's required from a spare room at my parents' house, I can't compete with the BBC but what I felt I could do is aim for a higher quality than that which is typically broadcast on the commercial terrestrial channels, in both content, style and technical film-making. Of course the single most important thing is content and story but the first way a production will be judged against the rest is in how it looks and how it sounds.
With that in mind, here are a few (heavily compressed) screen shots from the sections which have been graded so far so you have an idea of what to expect:
To give you a comparison, the average Shark Week production has a budget of around $200-300K and according to the production release from the company, for the recent "Shark Girl" show they needed to raise between AUS$850,000 - $1,000,000 to get it made.
Needless to say, my budget was a grain of sand on their mile long budgetary beach, but from the outset I set my "competition" not as the amateur "passion pieces" that are becoming more widespread, but films with budgets of £1,000,000+. I'm a one man band doing ninety percent of what's required from a spare room at my parents' house, I can't compete with the BBC but what I felt I could do is aim for a higher quality than that which is typically broadcast on the commercial terrestrial channels, in both content, style and technical film-making. Of course the single most important thing is content and story but the first way a production will be judged against the rest is in how it looks and how it sounds.
With that in mind, here are a few (heavily compressed) screen shots from the sections which have been graded so far so you have an idea of what to expect:
I have gone for a complex grade made up of five separate stages to give the film that "epic" cinematic film look you don't really see much in factual film these days. Colour is a big part of the story and is used very much as a storytelling tool, I may do a breakdown of the grade for the Behind The Scenes film when I've finished everything...Maybe.
Regardless of how amazing your film might look, if the sound sucks, then so will your film unfortunately, you can cheat badly shot footage but bad sound is the killer of films and if your sound is amateur, you will be viewed as "just an amateur." Your story deserves better.
The above is a screenshot of the Sound Design for just a few seconds of "Of Shark and Man," which is being put together by the brilliant David Lawrie and it sounds spectacular. I knew I wanted a huge, ambitious and complex sound design for the film so finding Dave has been such a blessing, not only can he decipher what I am saying in regards to what I want in there and take on board my suggestions of how to achieve that, he uses his considerable expertise to take what I want and make it so much better. Every frame of the film will have probably between 15-20 "elements" of work in it and that is why the film has taken so long to get this far but this was never a sprint, quality is the key and that sometimes takes a long time.
There are four sections remaining to be graded thus meaning the grade will be finished this week, the Sound Design is about halfway done and the intro titles are also almost complete, when all this is done, the film will have a first cut ready for industry tests. I appreciate everyone's patience, most of all Jane, Martin and all associated with Tourism Fiji who made this possible however, I can guarantee the wait will be worth it.
"Of Shark and Man" - Teaser Trailer 1 from Scarlet View Media on Vimeo.
"Of Shark and Man" Teaser Trailer 2 from Scarlet View Media on Vimeo.
"Of Shark and Man" Teaser Trailer 3 (Letterboxed Version) from Scarlet View Media on Vimeo.
Monday, 3 March 2014
Of Shark and Man Update
So here we are, three years and seven months into the making of "Of Shark and Man..." three years and seven months!!
I am of course including the first year which centred entirely around making a hair-brained, absurdly impossible dream become a reality but even at two years and seven months, it's still a hell of a long time. "Is the film finished yet?!" is something I get asked a lot and yes, it does annoy me a bit on one hand but on the other, it makes me feel good because the interest is still there and not only has that interest been ever present but it keeps on growing and growing and I need that, it helps me keep going.
When I started filming in Fiji, I never once thought I'd be here, almost three years later still working on the post-production but there is a very good reason for that. The film is so huge, so ambitious and so complex that to do everything on my own and try and balance it with everyday life and the outside expectations that come with that, is such a monumental task that it could easily send someone over the edge, it almost has in fact, numerous times. I am in the single most difficult period of my life ever whilst doing the single most important professional undertaking of my life ever and I'm doing all the lifting and carrying, the admin, the technical parts and everything which keeps a film moving, alone.
The film will be all the better for the time it has taken to produce however because it's been given time to breathe and to almost take on a life of its own, as I have become more skilled over time, the film has benefited enormously and the biggest help in everything has come from Tourism Fiji. It was Jane West and her associate at the time, Martin Harlow, who pulled the trigger on funding for the film, it is they who believed in the project and most importantly me and it is they who have not once put pressure on its completion. They want to see it as much as anyone and their patience and understanding has been nothing short of astounding and because of that, they will see that patience and belief rewarded ten times over. This could not have been achieved without them and I am eternally grateful.
This seems like a life time ago
Whereas this has very much been a one man job, from the idea, to getting funding and getting out to Fiji, to handling all the media, editing and constructing a feature length film, I always knew (and was enormously excited) that there would come a point where others would be drafted in to help the film go to the next level and I am pleased to say that we are now at that stage and I have not felt this optimistic about the film since I first secured the funding.
So, where are we?
The first cut is done and has, last night, been split into far more manageable segments. When I first saw the almost two hour long timeline, I'll be honest, it intimidated the hell out of me because I need to grade the whole thing, add vfx where needed, I need to construct a soundtrack and do all the things which make it come alive. I also finished the voiceover script this weekend. Narrative for the film comes primarily from conversational, organic interviews but there is an element of scripted content and that has been a big job, ensuring the mood is just right, it sounds natural and engaging and ties everything together as it should.
In splitting the timeline into chunks I am able to concentrate on smaller parts and refine them, grade them separately and it helps enormously in deciding upon the music, all of which streamlines efficiency.
So, where are we?
The first cut is done and has, last night, been split into far more manageable segments. When I first saw the almost two hour long timeline, I'll be honest, it intimidated the hell out of me because I need to grade the whole thing, add vfx where needed, I need to construct a soundtrack and do all the things which make it come alive. I also finished the voiceover script this weekend. Narrative for the film comes primarily from conversational, organic interviews but there is an element of scripted content and that has been a big job, ensuring the mood is just right, it sounds natural and engaging and ties everything together as it should.
In splitting the timeline into chunks I am able to concentrate on smaller parts and refine them, grade them separately and it helps enormously in deciding upon the music, all of which streamlines efficiency.
As I said above, I am also enlisting the help of some ridiculously talented and passionate people who will help elevate this film above what I could achieve doing it all myself so here's a little rundown of who is involved and in what:
Music:
Music:
Musically the film will sound like no other shark film. I don't have the BBC Philharmonic so trying to compete with them is a waste of time, plus, it's not really the mood I want, there will be no percussion heavy techno and no "Arabic wailing music," not that there is anything wrong with that, it's just not where I want to go. Currently I have Hip-Hop producers, Rock Musicians, Electro Producers, Ambient Producers, Avant Garde Composers, Pianists and of course myself, all of whom are contributing to the soundtrack. It's varied, evocative and will be of an immensely high quality coming from both UK and US based talent. At this exact moment in time, as I type this, I am going through a huge list of tracks and am receiving more on a daily basis. expect a Soundtrack to be available as a crowdfund perk or to be available to buy when the film is released.
Sound Design:
A huge job being handled by a talent as equally huge in US based Producer and Sound Design Artist, David Lawrie. I have been very exacting in what I want and suggested a ton of things I want to incorporate and his creativity, talent and total understanding of what I want is very impressive. David is working on Sound Design as we speak.
Colour Correction, Grade and Look Build:
I am doing this myself and it will start in the coming weeks, as soon as I have settled on any refinements to the edit. The look will be stylistic, cinematic and specifically designed to augment the footage. The last Teaser Trailer is a good reference point to how the film will look when it's finished.
I am doing this myself and it will start in the coming weeks, as soon as I have settled on any refinements to the edit. The look will be stylistic, cinematic and specifically designed to augment the footage. The last Teaser Trailer is a good reference point to how the film will look when it's finished.
Branding &Marketing:
This is a major part of any film as it creates the identity and mood of a film for an audience yet to see it. It also ensures that you the audience, get the most out of your experience before, during and after you actually see the film.
I have enlisted the excellent EDNA who will handle everything from branding, logo design, poster and cover art, merch design, a centralised movie specific website which will feature everything OSAM related, the focused marketing campaigns and it is they who will also be producing the warts and all full "Making Of" story of the film.I still need to raise the funds for this so if you are part of a company or organisation which you feel could benefit from advertising gained through a staggered sponsorship scheme on the site where absolutely everything film related will be hosted, please do get in touch. It's a small amount of money with a potentially huge audience and a great deal of goodwill for you to reach! david@scarletviewmedia.com
Graphics and Title Sequence:
This is something I have been sweating about for ages, I really wanted a jaw droppingly good intro title sequence and it was something I knew I wanted external help with so to say I am over the moon about getting the person I have to help, is a massive understatement. No names yet but he is an industry leading graphic designer and motion effects artist who has worked for some enormous clients including the BBC and Gorillaz and we are on completely the same page as to what we want. I wanted the film to come in with a bang and with this guy involved, that's pretty much guaranteed! The work on this will start in the coming weeks.
Crowdfunding Campaign:
This will start as soon as all the branding is in place and will have some pretty awesome perks involved. The sole reason for the campaign is to raise the funds needed to give the film a proper release and to ultimately achieve international distribution. The money raised will go towards covering Festival costs, screenings, prints of the film, paying for the very small amount of footage I have had to get from outside sources (i.e. footage we couldn't shoot in Fiji), promotional events, legal costs, documentation and everything needed to get a film out in to the wild.
There will be one more trailer coming, an official, full trailer which will be the official advertising to the world that the film is done and ready to go, so full look, sound, music, everything.
This time in my life is as equally difficult as it is exciting and having put every fibre of my being into it, will either make or break me, the very message carried by the film, one of positivity, belief and love has been permeated by heart breaking difficulties and upheavals throughout the last three years. The highs and lows have been ingested by a project which has pushed me to the absolute brink, all because I want to do something different and primarily, because I believe in the pro-shark message the film carries so much and to know I am reaching the point where all this work will be put out to you, is both exhilarating and terrifying. To now have a clear idea of how the finished film will look, feel and sound makes me immensely proud but then, it's out of my control and over to you. With your support this film and its heavily pro-shark message will be a success, so please, if you dig the idea, the concept or just sharks in general, let me know how you can support this film.
Thursday, 21 November 2013
Teaser Trailer 3 Is Here!
*Fanfare*
Here it is, the third and final teaser for "Of Shark and Man," and in keeping with the previous two, which you can view here and here, it runs with a separate theme from the film. The first teaser focused on my story, the second on the sharks and this third teaser focuses on the spiritual and most importantly, conservation, issues raised in the film.
Aside from the points alluded to in the trailer, this is also a clear hint at how much closer I am to finding the look I want for the film. I have worked hard on establishing a stylised, cinematic and filmic look for this trailer, I have always wanted this film to stand out, my inspiration for the style of the film is not other shark films, instead it is a host of films from the 70's up to the modern day so for the people interested in this stuff, it was coloured and graded in Da Vinci Resolve 10, with additional look building in Film Convert, with a few extras I will keep to myself for now. It was edited as always, in Adobe Premiere Pro CS6 on my custom built Novatech Edit Suite. All footage was shot on location during production using Canon 7D and Sony XD cameras except the shark fin footage which was kindly provided by Shawn Heinrichs, thank you Shawn!
The music is two separate tracks, the first by Before the Beginning entitled "This Memory of You is Immortal" and the second, once again, another Chris Zabriskie track, "I am a Man who will Fight for your Honor."
You will notice that this trailer is letterboxed, if you want to be more technical, instead of the standard 16:9 aspect ratio, this is in 2:35:1, often commonly referred to as Anamorphic. I'll be honest, I never intended to have this kind of look for the film, I only threw it on the trailer initially to see how it would look, expecting it not to work at all but, on the contrary, I love it and I am now seriously considering applying this aspect ratio to the film. Now, I know not everyone likes this look so I, being the nice person I am, I have also uploaded a standard 16:9 version of the trailer;
Your feedback is important, so please take the time to watch it and comment and perhaps even more importantly, share it on your social media pages, blogs, mailing lists etc. People won't just search out this stuff on their own, they need a friendly nudge. Be that friendly nudge!
If you do decide to comment, please do so here or on the Facebook page but mainly, share, share, share!!! it only takes a few seconds of your time but the benefit can be huge.
Progress on the edit for the film is going well and the first cut is now only missing a closing sequence, a couple of stock footage shots and some UK stuff which will be filmed soon so we're on track and looking good.
Enjoy the trailer and get in touch!
Wednesday, 22 May 2013
June 6th in Falmouth...Get Yourselves There!
One of many international screenings of A Ray of Light
Bit of a heads up for you English people, especially those of you lucky enough to live in the Cornwall area...
On Thursday June 6th, the international touring film festival, Beneath The Waves finally reaches our shores and not only will A Ray of Light be screened on the night (which it is at every Beneath The Waves screening around the world) but I will also be there in person, to give a brief talk about this film, "Of Shark and Man" and a little bit about how I ended up in a position to call myself a professional Film-Maker and Cinematographer.
The Falmouth Beneath The Waves Film Festival is being held at The Poly on June 6th and will feature films and still photography from some passionate and brilliantly talented people and, if I am correct in thinking, is followed by drinks and a chance to meet new people and discuss, amongst other things, the films on show earlier in the evening.
If you can't make it to Falmouth, I will be at Robin Hood Watersports on June 12th to screen A Ray of Light and do a bit of a presentation as part of their open night as they launch their new travel centre.
The London Eco Film Festival was apparently a huge success. Unfortunately I wasn't able to make it to the event but I am told photos from the night will be available soon.
I'm really excited about the Falmouth Film Festival, I love Cornwall and it will be the first time I will have seen one of my films in a cinema setting so it should be a great evening and one at which I would love to see as many of you as possible!
Thanks to everyone who has so far taken part in the shark feeding discussion on the last blog which, for the most part, has been a really well informed, balanced and intelligent discussion. If you know someone who has opinions on the issue and wants to discuss it away from the crazies and angry lunatics you find on social media, feel free to invite them over!
Finally, if you haven't already, make sure to get your hands on a copy of the current issue of Sport Diver and check out my five page, cover article about the experience of my final dive on Shark Reef!
Tuesday, 2 April 2013
Unedited Interview Segment from the filming of "Of Shark and Man" - My Back Story
I get asked a lot about my motivations behind the "From the Office to the Ocean" project, why I wanted to do it, what I had to do to get it off the ground, the difficulties and issues I faced and also what I hope to achieve. Feedback from people about the film and its content is often that they want to know more about this kind of stuff because it taps into the "everyman" aspect I am so passionate to highlight.
With that in mind and having approached the part of the edit of "Of Shark and Man" where this is discussed, I went over an interview/piece to camera I shot in Fiji where I asked Hamish to ask me questions that related to what he thought the audience of the film might be interested in with respect to the twelve months leading up to production in Fiji, to treat it as though he had only just met me, knew a tiny bit about the film and wanted to know more.
This also gives an indication into how the narrative of the film is delivered, very little is scripted, instead, the majority of the voice over narrative is taken from these natural, conversational interviews so the viewer hopefully feels that they are being involved in the film and not just talked at as an uninvolved third party.
It's interesting for me to watch it back now, eighteen months after it was filmed, most of all, because it all still applies and is still completely relevant to me now, in 2013. There is no colour correction, grade or audio processing and it has been heavily compressed down to run at 5Mbps as opposed to broadcast standard 50Mbps. The few cuts merely cover long questions and the answers are unedited.
It's just over fifteen minutes in length with no cutaways so it really is completely raw.
This interview has now been edited down significantly for the film but after feedback from members of the Facebook group I thought some of you might be interested to see the whole thing so here it is.
As always, feedback and comments are warmly welcomed and I hope that somewhere in there, you find some stuff that you can relate to or which help you in your own endeavours. I would also be really keen to hear any suggestions of things not in this interview that you think would be interesting for me to address so please, feel free to suggest away!
Thanks
Monday, 11 March 2013
A Ray of Light Just Keeps On Truckin'!
Beneath The Waves 2013 line up
You probably all know the story by now. Went to Mallorca, shot a short film, released it for free on the internet, film gets seen in over 120 countries, helps start a community conservation project in Mallorca, gets shown on TV and now, I am very pleased to say, in the most recent stage of its story, film gets included in one of the biggest marine film festivals around!
Beneath The Waves 2013 opening in Savannah, Georgia, has 63 films on this years roster, meaning many of the films will be alternated in the various venues, however, I am incredibly proud to be able to report that, from the guys behind the festival themselves;
"Your film's first screening will be at the Beneath the Waves Film Festival in
Savannah, Georgia on March 21-24, 2013. We also plan on bringing Ray of Light on
the road with us as a headlining film for our mini-festivals around the world,
especially in Europe...with festivals planned in Germany, Iceland, Portugal, Spain, the UK, throughout
Oceania, and the US."
"A headlining film..." Wow! That is awesome!
This film just won't go away (not that I want it too of course!) We had zero budget and the whole thing was a one camera shoot, filming as and when I could, often without the film's stars knowing they were being filmed. They had no idea what the film would be like either so it was interesting to see their response especially and the response from the public, which has been overwhelming really. There was no fanfare, just a quiet online release and all of a sudden it kind of went everywhere and just kept on going, so this is another big win for our tiny little film!
Huge thanks go to the stupendously talented Chris Zabriskie for his music which lends so much to the film's emotional journey and of course, to Brad and Bea about whom, this film is very much a love story in some ways and a testament to their sacrifice, dedication and determination.
If you go to one of the festival dates and you get to see A Ray of Light, please let us know what you think!
Congratulations to all the film-makers whose work is being featured in this year's festival, you can be assured that much expense, effort, sweat and toil has gone into every single one of the featured films, so if Beneath The Waves comes to your town, go down and see what's on offer and support the talent on show, more often than not, made at the film-maker's expense with zero support in doing so and if any of the film-makers are there, buy them a beer and give them some feedback! They deserve it :)
Thanks to Austin and all at BTW for supporting my little film with a big heart.
Wednesday, 13 February 2013
A Ray of Light Gets Its TV Broadcast Premiere Tonight!!
Filming the underwater sequences in Mallorca
A quick heads up for all you people lucky enough to live in sunny Spain. Tonight, at 7pm, on Canal 4, Mallorca Today, "A Ray of Light" gets its TV broadcast premiere.
That means that tonight, it will be seen by thousands of people across the whole Spanish mainland and the Balearic Islands, so a project which was initially an idea for a grassroots conservation project Brad discussed with me on Skype a couple of years ago is about to take another huge leap forward and we did this all on our own! Brad, Bea, Gabriel Morey, Stefan Lawrence, Erica Lay, Joves Navegants, myself and some very enthusiastic volunteers are continuing to show that great things can be achieved in the conservation sphere without the help of the big conservation groups. That's not to say we wouldn't welcome the support, of course we would, especially Brad, it's just not been offered.
So what does this mean? First and foremost, Spain is now talking about marine conservation, a nation with a major impact on the declining health of our oceans, is starting to look at the concept of local marine conservation projects. The media are interested in finding out more, the numbers of people volunteering to take part has gone through the roof and some really great things are in the pipeline in regards to new projects and involvement of yet more influential people in Mallorca.
At the risk of repeating myself as well...I shot this film on my own as a one man crew for 750 quid of my own money and so far it has;
- Been seen by roughly 15,000 people, a figure which will increase enormously tonight
- Raised over £35,000 in donations for the project, that's more than 45x what it cost to make
- Been requested for inclusion in two film festivals
- Resulted in a television feature, two radio features and press articles about the project
Just imagine what I could do with some financial backing, especially if, say, I had a rather amazing idea for "A Ray of Light II"...
Anyway, 7pm, Canal4 tonight, the perfect aperitif to the main course of United beating Madrid at the Bernabeau ;)
Wednesday, 6 February 2013
Of Shark and Man - Thank you!
Another day in paradise
It's been about a week and a half since the trailer was released and the feedback and response has been pretty overwhelming, taking into account Vimeo views, external links and embeds, it's edging towards the 6000 mark...That's six thousand views of something released with very little fan fair and promoted only on social media and through word of mouth.
It has been featured on Shark Diver, The Best Shark Dive in the World, The Dorsal Fin and Shark Defenders alongside some other pages I'd never even heard of and yesterday alone, somewhere obviously picked it up (no idea where though) and it had no fewer than 918 unique views on Vimeo alone!
This shows there is clearly interest out there and the feedback has been especially satisfying, on the way it's shot, edited, coloured and the feel and people really seem to like the "it's a love story" line at the end. Even before I had fully established the storyline of the piece I had a tag line of "A love story...with teeth!" and it seems to resonate. It's always been important to me that everyone can feel a connection to the story and it seems that, at least with this teaser, most people do.
I've been contacted by quite a few people on a variety of subjects, some simply to offer encouragement, others looking for advice and also people asking how they can get involved in shark conservation. Not only do people like what they've seen, the message is working, pretty incredible considering the word "shark" isn't uttered once, let alone "shark conservation."
Please keep sharing, let's keep the momentum going and let's do what we can to get even more people on board and excited about "Of Shark and Man." I want to offer a huge message of thanks to the Street Team for their help pushing the trailer, it has been invaluable and also, just so you know, Tip Jar has been activated so if you like it and you have a few quid/dollars/baht/shekels/euros burning a hole in your pocket, please feel free to pop them in the electronic jar if you think the quality is deserving. Every little bit helps believe me.
Please keep sharing, let's keep the momentum going and let's do what we can to get even more people on board and excited about "Of Shark and Man." I want to offer a huge message of thanks to the Street Team for their help pushing the trailer, it has been invaluable and also, just so you know, Tip Jar has been activated so if you like it and you have a few quid/dollars/baht/shekels/euros burning a hole in your pocket, please feel free to pop them in the electronic jar if you think the quality is deserving. Every little bit helps believe me.
Once again, thank you one and all and if you haven't seen it yet, watch it, comment and share with everyone you know!
Tuesday, 22 January 2013
New Website And First Official Teaser Trailer!
Remember this?
Two and a bit years ago, having never directed anything before, I took Hamish out around Leeds and we tried to capture my rather primitive storyboard for a trailer to a film I wanted to make about sharks in Fiji so I could kinda show people who might be interested in helping me, an idea of the sort of thing I was attempting.
How far we have come...
The first official teaser trailer for "Of Shark and Man" is out today in conjunction with the updated, brand spanking, better looking, easier to navigate, new and improved website!
As I said, this teaser is "the first" and it is, the first of no less than three teaser trailers, the other two will appear in the coming months and will then be followed by two full trailers when the film is finished and ready to go.
This first teaser starts in the best place from which to tell a story, the beginning. This is a scene and mood setter, very much saying loud and proud that I am approaching this in a totally different way to everyone else, an introduction to one of the main characters (me!) and a visualisation of the quality and style of look I am going for.
Each teaser will focus on a different element of the story and will help to build an image for the viewer as to what they are getting with this film. When the final edit is at least half done, perhaps waiting until it is totally finished, there will be two full trailers released, much like those that would accompany a major release.
The website you will notice is sleeker, easier to navigate, is more focused in its content and just looks so much better. Thank you Kris Allen for all your hard work, you sir are a hero.
If you like the look of the teaser, you are into the concept of the film or you just want to help support independent film, please share this stuff. This is about representing an incredible story and an incredible animal properly and accurately, treating the audience with respect and as people who can look beyond what they're used to and who might just enjoy something a little different.
Music is by the always brilliant Chris Zabriskie and Lifescreen both of whom it's no secret I absolutely love. Chris's music will feature quite heavily in the film itself as well.
New to this and want some more info? Check the new website!
Feedback is of course, always welcome, share and share freely with friends, family and the weird strangers who stalk you on Facebook and get involved. The more people who can help build an audience for this, the more likely it is that we can start getting some more responsible, factual and most important, inspirational shark media out there!
Enjoy!
www.officetoocean.com
p.s. This blog will take us over the 100,000 unique views milestone too! :)
p.p.s Thank you Mike for the kind words!
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Friday, 7 September 2012
Blog Number 100 - A Miraculous Conservation Success Story
Thanks!
Would you believe it? 100 blog posts and unique hits creeping up to 100,000 in the two years since I started "From the Office..." from a completely standing start, two years ago. There's been highs and lows, celebration and controversy, delight and despair and without exception, as we move forward, the popularity of this project and everything that goes with it is increasing at a fantastic rate and even though you might not agree with everything you read here, you certainly keep reading so thank you. As the curator of the world's greatest online blog about someone from Manchester who makes films about sharks, I would like to let you all know I appreciate all your support.
Since I realised this would be blog 100, I wanted to make it a good one and asked on the Facebook group for suggestions
as to what it could be about and I had quite a few come through various
channels with a "highlights so far" piece being suggested by a few
people.
I had actually decided on that but as it turns out, through a gloriously happy twist of fate, blog 100 will be me delivering some incredible news about an amazing achievement which is, in turn, one of the highlights of the last two years
I had actually decided on that but as it turns out, through a gloriously happy twist of fate, blog 100 will be me delivering some incredible news about an amazing achievement which is, in turn, one of the highlights of the last two years
A Ray of Light from Scarlet View Media on Vimeo.
Remember Brad? My antipodean partner in crime who, like me, believes in actually doing things!
Since Brad first contacted me towards the back end of 2010, we have shared many great moments together, some great ideas and epic highs and lows, all of which emanating from our desire to actually go out there into the wild and try to contribute, in our own ways, to making the world a better place.
If you haven't seen the video above, A Ray of Light, watch it, then come back and continue reading because everything will all make so much more sense.
What seems like forever ago, Brad and I talked about a project he had come up with, a survey to find out more about the yearly appearance in the Bay of Palma, of big numbers of Stingrays, many of which we have since discovered, were heavily pregnant. The concept being that he could set up a Stingray survey, utilising volunteers from the yachting community alongside divers and try to understand this annual aggregation more, how big the numbers are, why they're there and maybe even where are they coming from and going to after they leave?
I had been working like a dog for two years solid and had just taken the first order for Behind Blue Glass DVDs and figured I needed a holiday. I had been planning on going over to stay with Brad and Bea anyway and then one night, in bed, I had the idea of shooting a short film about the project but not the usual "... this is bad, look at these horrible images of dead things, we're all gonna die" type PSA, more of an engaging story about the very, very rare breed of people who sacrifice, sacrifice and sacrifice all for a cause they believe is worth fighting for. So, my "holiday" turned into a film shoot and the rest, as they say, is history. Read the full story here.
Good to be back in my "room" at Brad's
In real world conservation, that is, outside in the sun, wind, rain, snow etc, where hopes, dreams and self belief are crushed on a daily basis and where the world seemingly tries its utmost to destroy you, the single biggest problem is lack of funding, followed by apathy, everything else is merely a mild annoyance.
Brad was spending all his own money on the surveys, losing working days, burning through fuel like there was no tomorrow, using all his own gear and surviving on about three hours sleep a night, I paid for the production of the film entirely out of my own pocket and battles with beurocracy were a daily occurrance. We needed to inspire people to care about an animal which just isn't as inspiring as sharks or tigers or as easily marketable as whales and dolphins. The issue here was that we had what was a complete oddity in the Med, a healthy population of a marine creature, so we figured we should do what we can to maintain those healthy numbers and use it as a reason as to why marine protected areas in the Mediterranean, especially those around the Balearics, are so important.
Three weeks in Mallorca and three weeks at home and I had the finished film, releasing it to an entirely poistive response, interest in the project increased overnight, we even bit the bullet with the obligatory Facebook page and launched an Indiegogo campaign with the approach being a requested single donation of $5 from everyone interested enough in marine conservation to help with the running costs of the project but social media based animal awareness pages and groups just don't work like that unfortunately and despite only asking for donations of $5, Brad who was by now becoming quite the overnight sensation, found fundraising desperately slow and immensely frustrating.
And herein comes our amazing news...
Stefan and Irena Lawrence
Just when things seemed at their most desperate, I am absolutely overjoyed to announce that one individual, the fantabulous Stefan A Lawrence, has pledged a donation of €35,000!!
Stefan's family has lived on Mallorca since the 60's after moving from New York, all of whom share a passion for the sea and all its creatures. In Stefan's on words;
"What gets us up in the morning (apart from our rambunctious two year old) are
people like Brad and Bea. These are the doers not the talkers or worse yet the
takers in life. As such it is our pleasure to work with and give back to the Med
by supporting ONDINE's stingray survey."
This is a testament to Brad's tireless hard work and passion and the whole thing makes me beam with pride for a few reasons but primarily that this has all come from a small group of friends wanting to do what they felt was the right thing to do, to start a project from scratch with zero support, to build that project and make it totally inclusive and to achieve what looked like almost impossible goals. This funding is not borne from a desire to gain plaudits, to benefit financially and nor does it come with a long list of restrictive demands for things in return, it's just someone else doing what they think is the right thing to do.
This is a sign that very real conservation projects can be established by ordinary people in the face of what seem insurmountable obstacles, that there are people out there who believe in action over endless talk and deliberation and that you can just get out there and inspire people to help our marine environments. There are great conservation opportunities on your doorstep, wherever that may be. Whilst people may be railing against dolphin slaughter in Taiji, shark finning in Costa Rica, or the unsustainable harvest of Bluefin Tuna, signing petitions, sending emails and creating Facebook pages, there are projects in your area which need your help and involvement so go find them and get involved! By all means do the other stuff too but don't ignore local issues simply because they may not seem as glamorous at first.
This money means that Brad can get the materials needed for the surveys, cover fuel costs, the hiring of boats and maintenance of equipment. This means that more ground can be covered, proper study can be undertaken and most importantly, that we are now no longer hampered from simply not being able to afford doing even some of the most basic things that are required to run a long lasting conservation initiative. This doesn't mean that opportunities to help the project have now closed of course, to keep the initiative running for years to come will mean that financial support will always be gratefully received and you can get involved by contacting brad direct at brad@ondineescape.com
Brad's ultimate goal has always been to make the project self sufficient, so it can be grown and passed on for as many people to take part in as possible, he has always said that this isn't his project, it's Mallorca's project and I absolutely love that, it's a sign of the man and his approach to conservation, he doesn't want people kissing his arse or getting his face on the TV, he just wants the project to achieve its goals. The man is a genuine hero.
This also bodes well for future projects, one in particular I have had in mind for many, many years and which will hopefully be our next project. Obviously I won't be saying anything until Brad and I have the wheels in motion but what I will say, is that if we get it off the ground and it is successful, it will be one of the most amazing and important things you will ever see. Yes really.
In the meantime, to our hugely generous donor, we love you and cannot thank you enough, I am over the moon to see that Brad, who keeps this project running 365 days a year, is getting the support he deserves, the man is a genuine conservationist and Balearic marine life has a brighter future because of him and Bea.
This is conservation with a focus on social issues as well given the partnership with Joves Navegants and which is geared towards encouraging as many people as possible to join in and this incredibly kind gesture by an ocean lover means that it can only get bigger and inspire more people. Good things do happen to good people and sometimes, the nice guys get the rewards they deserve and if that doesn't make you feel good, nothing will!
If this does make you feel good, send Brad a message of support, he deserves a bit of love for all his effort.
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